Art Supplies

Stone Ground Paints Review: Handmade Watercolors and Gouache Worth a Look

Single-pigment, hand-poured watercolors and gouache from a Canadian maker, tested on 100% cotton paper with dot card samples.

Stone Ground Paints watercolor dot cards and gouache palette with a synthetic brush on a wooden table

Introduction

Stone Ground Paints is a small Canadian workshop producing hand-poured, single-pigment watercolors and gouache in small batches. The samples tested here came as dot cards with a genuinely generous amount of paint, applied to high-quality 100% cotton paper. That format makes it easy to test colors properly before committing to full tubes or pans.

Everything reviewed here was worked with a synthetic brush on Hahnemühle 100% cotton paper, which is a fair test surface for both the watercolors and the gouache.

How Stone Ground Makes Its Paints

Stone Ground splits its watercolor line into traditional and modern formulas. The traditional colors use ingredients reminiscent of the classical painter era, while the modern colors are still handmade and hand-poured but rely on more contemporary ingredients. All paints in the line are single pigment, and the binder is gum arabic.

Watercolor dot cards with generous dabs of pigment arranged on a wooden desk

One charming detail: the honey used in the paints is sourced locally in the Canadian prairies. The company’s website also deserves a mention. Clicking on any color brings up pigment information and a full set of details about that individual paint, which is genuinely useful when choosing colors for a palette.

Stone Ground Watercolors: Performance on Cotton Paper

Swatching the watercolors on cotton paper was the standout experience of this test. Colors like manganese violet, hooker’s green, and a red earth tone went down smoothly, rewet easily, and produced fair, even swatches all the way around with minimal effort.

The strength of pigment on the dot cards is impressive, and nothing felt skimpy. These are the kind of colors that look spectacular both wet and dry, and the dot card format is an excellent way to try the range if the company sells the cards directly.

Watercolor swatches blooming on textured 100% cotton paper

These are the best watercolors tested here in years, and a deeper follow-up review is planned once more colors have been sampled and a few questions answered directly with the maker.

Stone Ground Gouache: First Impressions

The gouache dot card covers seven colors: daffodil, vermilion, ultramarine blue, chromium oxide green, raw umber dark, a neutral shade, and titanium white. On the same cotton paper, the first thing that stands out is that this is clearly a transparent gouache. It lays down in a very nice, controlled way without turning chalky or heavy.

Transparent gouache laid down on cotton paper with a synthetic brush

For artists who like gouache that still behaves somewhat like watercolor, this transparency is a real plus. The paint rewets well from the dot card, which suggests the same careful formulation as the watercolor line.

Overall Buying Advice

If you value single-pigment mixing behavior, small-batch production, and transparent information about every color you buy, Stone Ground Paints makes a strong case in both media. The watercolor line in particular performed at the top of recent testing, while the transparent gouache suits painters who want body without opacity getting in the way. Starting with dot cards, if available, is the most economical way to find the colors that fit your palette before buying full sizes.

Conclusion

Stone Ground Paints delivers on its promise: hand-poured, non-toxic, single-pigment color made thoughtfully in Canada, with honest documentation and impressive results on paper. The Night Garden palette test made the enthusiasm easy to understand. These are exciting paints, and this reviewer’s first impression matches the hype: amazing paints all around.

Further reading

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