Art Supplies
Best Art Supplies Worth Your Money: Pencils, Pens, Paints, and Paper That Earned Their Spot
After years of daily use and testing, these are the pencils, pens, watercolors, gouache, brushes, sketchbooks, and erasers that stand above the rest.
Introduction
Narrowing down a lifetime of art supplies to a short list is hard, but some products simply earn their place through daily use. This roundup covers the pencils, pens, paints, brushes, and paper that consistently deliver, whether you sketch in the field or work at a studio desk. Every pick here has proven itself over years of real practice, not just a first impression.
Best Graphite Pencil: Caran d’Ache Grafwood
If you are going to buy one pencil, this is the one. The Grafwood is exceptionally well made, with a quality cedar casing and a super high-quality core that draws beautifully. It comes in a full range of grades, and softer grades suit artists who prefer a darker, richer line.

The Faber-Castell 9000 is the venerable alternative that has been around forever, and Faber-Castell consistently does a nice job with their pencils. If you want a classic drafting-style pencil at a friendly price, the 9000 is a safe bet.
Best Lead Holder: Faber-Castell TK 9600
Lead holders make sense for long-term use: you are not buying a new pencil every time the lead runs out. You simply insert fresh two-millimeter lead into the clutch and sharpen with a dedicated sharpener. The Faber-Castell TK 9600 is the standout. It survives drops, rough travel, and daily abuse, and it just keeps working. For anyone tired of burning through wooden pencils, this is a permanent solution.
Best Colored Pencil: Faber-Castell Polychromos
Opinions vary on the best colored pencils, but the Polychromos edges out the competition on utility. The color range is enormous, the pencils are very consistent, and they simply perform. The Caran d’Ache Luminance 6901 is a superb alternative with excellent lightfastness and beautiful natural wood casing, so you cannot really go wrong with either. If forced to pick one for a working set, the Polychromos takes it on sheer versatility.
Best Watercolor Pencil: Caran d’Ache Museum Aquarelle
For watercolor pencils, you cannot spend money and buy better than the Museum Aquarelle. These Swiss-made pencils are so consistent and so loaded with pigment that disappointment is basically impossible. They lay down like butter, carry a lightfast rating printed right on the barrel, and the hexagonal body keeps them from rolling off a tilted work surface.

They are rarely available in open stock, and the sets are not cheap at all, but they are worth every single penny. The Faber-Castell Art Grip Aquarelle is a very capable alternative if the price of the Museum line is out of reach, with a triangular barrel and rubberized grip zones that make long sessions comfortable.
Best Ink Pens for Sketching
Ink pens come in more varieties than almost any other art supply, but for sketching and technical work, the Sakura Pigma Micron is the one to beat. Made in Japan with permanent ink, it is not scratchy even on cold press watercolor paper, and it performs even better on Bristol. It comes in a wide range of nib sizes and colors, and it has survived being left uncapped overnight without trouble.
The Staedtler Pigment Liner is the other finalist, made in Germany with great ink and excellent build quality. Most artists use the 0.5 size for everyday line work and reach for finer points when detail calls. Choosing between the Micron and the Pigment Liner is genuinely difficult; both are excellent, and neither is easy to beat.
Best Artist Watercolor Paint
After narrowing down a long list of favorites, the Schmincke Horadam artist watercolor paint holds the top spot. These paints are so consistent, so well manufactured, and so well made that they remain the best watercolor available in this reviewer’s experience. Single-pigment options are plentiful, which makes mixing predictable.
Daniel Smith is the worthy runner-up, made in America with fine quality and a deep catalog of single-pigment colors. Many artists fill half pans from tubes rather than buying pre-filled pans, which works out well and stretches the budget. Either brand will serve you for decades.

Best Gouache: Holbein Artist Gouache
Gouache has many excellent makers, but two stand out: Holbein’s Japanese-made artist grade gouache and Schmincke’s Horadam gouache. Both are mostly single-pigment, lightfast, and beautifully made. The Holbein takes the top spot because it goes down a little easier and has slightly different working properties that suit this kind of painting. It is not cheap by any stretch, but it is outstanding.
Best Brushes for Water Media
For watercolor and gouache, the Escoda Versatile Synthetik is the favorite brush overall. Made in Spain, it is beautifully constructed with excellent bristles, and for a synthetic brush it performs at a level that surprises people. Synthetics are also the more environmentally friendly choice compared to natural hair. The Da Vinci Cosmotop is the strong alternative, with a useful flat for blocking in shapes quickly.
The Pentel water brush earns its own place as the best field brush. Water is stored in the barrel, so there is no need to carry cups or extra water when sketching on location. The only drawback is that they last a finite number of sessions, so treat them as consumables.
Best Sketchbook: Hahnemuhle
After testing 142 different sketchbooks over the years, the field narrows to two. The Hahnemuhle sketchbook is the best in the world, made in Dassel, Germany, where the company has been producing paper for 500 years. The paper handles every medium tested without complaint, and no watercolor sketchbook tested has beaten it.
The Arches travel sketchbook is the runner-up, using the same 100% cotton paper found in their blocks. If you want a cotton-paper option for travel, it is a great choice. But for the best all-around sketchbook, Hahnemuhle wins.
Bonus Pick: Best Eraser
The best eraser in experience is the Staedtler Mars Plastic. It is genuinely versatile, working on pencil and even ink, and it is the one that gets used most. There are many good erasers out there, including classics like the Pink Pearl and the Faber-Castell Dust-Free, but the Mars Plastic is the workhorse worth stocking.

Buying Advice
If you are building a kit from scratch, start with the Grafwood pencil, a Micron pen, a few half pans of Horadam watercolor, and a Hahnemuhle sketchbook. That combination covers pencil sketching, ink line work, and water media on excellent paper. Add the Museum Aquarelle pencils or Holbein gouache later as your interests develop. Buy fewer, better tools and you will replace far less over the years.
Conclusion
The best art supplies are the ones that survive daily use and still perform years later. These picks, from the Grafwood to the Mars Plastic eraser, have all done exactly that. Match them to how you actually work, and every one of them will earn its place in your kit.









