Fountain Pens
Cool or Not Cool: Four Fountain Pens Worth a Second Look
A vintage Waterman classic, a modern TWSBI colorway, an artisan maki-e piece, and an oversized budget statement pen, judged on character and writing feel.
Introduction
Four very different fountain pens, one simple question for each of them: cool or not cool? This roundup spans nearly a century of pen design, from a compact hard rubber classic from the 1920s era to a modern TWSBI colorway, an artisan-level decorated piece from Platinum, and an enormous budget-friendly statement pen from Jinhao. Each one earns its place for a different reason, and each has a clear audience.
Waterman 52 1/2: The Vintage Charm
The Waterman 52 1/2 takes you back to the early days of fountain pens, hailing from the 1920s to early 1930s era. It is made of hard rubber and is very small in its dimensions, but that was simply the style of the period, and it is hard to slight it for that. The small form factor gives it a distinctly vintage feel that modern pens cannot replicate.

It is not a pen for writers who want a large, modern grip, but as a piece of fountain pen history that still functions as a daily writer, it holds real appeal.
TWSBI Eco Indigo and Bronze: The Modern Colorway
The TWSBI Eco in the indigo and bronze color scheme is one of the more accessible ways to get a genuinely attractive pen. The indigo blue is gorgeous, and while the name suggests brass components, the appeal here is really the color combination itself. It is a straightforward modern workhorse pen with a finish that punches well above its price class.
This is the pick for anyone who wants a dependable everyday pen that looks far more expensive than it is.
Platinum Kanazawa Haku Matsu-Tora: The Artisan Statement
The Platinum Kanazawa Haku Matsu-Tora may be the most beautiful pen in this lineup. It features a tiger and pine trees rendered in Kanazawa haku decoration, and the craftsmanship is striking. Platinum clearly went all out with this design, and it is the kind of pen you buy to admire as much as to use.

It is a bold, decorative piece rather than a utility purchase, and it suits collectors and enthusiasts who want artwork on the barrel.
Jinhao 9109: The Big Pink Boss Pen
The Jinhao 9109 is big in every respect. It has a giant nib, a giant body, and perhaps the biggest converter ever fitted to a pen. Everything about it is large, and the glossy pink finish is genuinely beautiful. It writes pretty well too; while Jinhao quality control has been inconsistent in the past, this particular model has been a good performer.

Size-wise, it is certainly bigger than a 149-class pen and approaches the scale of a King of Pens. It is a total boss pen, with nice proportions that suit writers who enjoy a large pen in hand.

If you want maximum pen for minimal money, this one makes a strong case.
Overall Buying Advice
Choose the Waterman 52 1/2 if vintage character and history matter most to you. Pick the TWSBI Eco Indigo and Bronze for an affordable everyday writer with a standout colorway. The Platinum Kanazawa Haku Matsu-Tora is the choice when craftsmanship and decoration are the priority. And if you love oversized pens with huge ink capacity on a budget, the Jinhao 9109 delivers an outsized experience for the price.
Conclusion
Four pens, four personalities: compact vintage charm, a modern colorway bargain, artisan decoration, and a giant budget bruiser. Each one answers the cool or not cool question with a confident yes, as long as it matches the way you actually like to write.



